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+1 207-522-4071
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353 Ten Eyck St, Brooklyn, NY, 11206
b/t Bogart St & Morgan Ave
East Williamsburg
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0.3 miGrand Street (L)
0.4 miMontrose Avenue (L)
0.4 miMorgan Avenue (L)
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Specialties
Cameron Toy is a Brooklyn-based musician and producer with experience in rock, electronic, hip hop, rap and experimental, as well as film scoring and sound design.
His recent work includes the production of his band’s debut LP, Sleep In The Yard Where The Dog Sleeps; the score for new web series, 2 Girls | 1 Asian; multiple collaborations with Bakersfield-based rapper/producer Young Pupp; sound design for Adin Lenahan’s solo show, Midwestern Gothic (Theater for the New City, Dream Up Festival 2014); and engineering and production for Bronx Cheer’s upcoming EP, Fear/Hunger.
He operates out of a small studio in Bushwick Brooklyn, and is also capable of setting up a remote studio at any convenient location.
Studio tracking (recording), mixing, production, and mastering of audio tracks, film score production, and sound design using Logic, Qlab, and other programs.
History
Established in 2013.
Cameron Toy has worked as an independent DIY engineer and producer since 2010, and worked with bands and artists in Maine, Los Angeles, and Boston before setting up shop in Brooklyn in 2013. Those who he has previously collaborated with include Tiziano Stroppini, of the Swiss rock band Random God, Bakersfield-based rapper Young Pupp, and Brooklyn-based bands Bronx Cheer and Gandor Chorale.
Meet the Business Owner
Cameron T.
Business Owner
Cameron’s recording and production experience began as a teenager in the small town of Brunswick, ME, working on tracks for local pop, rock, and punk bands in addition to his own music. He earned his Independent Artist certification at Los Angeles’ Musicians Institute. Cameron has since collaborated with several artists in LA, Boston, and New York, and has released a number of albums of his own work, developing a raw and unique, but still pop-oriented sound with an open mind to non-standard recording techniques and practices. His music has been described as «groovy garage rock» (Penfold, The Ripple Effect) and a «slurry piece of melodic noise, in which I swear the guitar is talking» (Hope, Don’t Need No Melody). You can hear some of his work on his Soundcloud and Bandcamp pages.
